Biog
London based sound person, usually working in No 1 and operator roles.
Was operator at the Court during the 2019-2020 season (and a few shows beyond) after graduating from the RADA; had a few stints in the Sound & Video Workshop at the NT and the glamorous West End.
No 1 on both west end runs of 'For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy', 'White Rose' and 'Frank's Closet' (Wilton's & Arts Theatre).
Shows for the Court include: 'That Is Not Who I Am', 'For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy', 'The Glow', 'What If If Only', 'Is God Is', 'Shoe Lady', 'A Kind of People', 'On Bear Ridge', 'Glass. Kill. Bluebeard. Imp.' and 'The End of History'.
Other operating includes 'Rhinoceros' at the Almeida.
No 2 on first run of 'Operation Julie' (Aberystwyth & tour).
PSE for 'Happy Days' at Riverside studios.
Work at the RADA includes Sound Design for 'Into The Woods' (with a little help by Avgoustos Psillas), 'Romeo & Juliet', 'The Last Days of Judas Iscariot' (also Composition), 'Women Beware Women' and 'Easter', No 1 for 'Assassins' and various engineering roles.
Previously pursuing (supposedly) a degree in Theoretical Physics at Imperial College; held the positions of Sound Director for the Dramatic Society and Technical Manager for Radio until presuaded to withdraw; still occasionally fixing things at Imperial though.
Shows at Imperial College include 'Rent', 'Sweeney Todd', 'Neverwhere' and 'Merrily we Roll Along'.
Also likes to dable in electronics and made a living for a while building MIDI controllers; also really likes unistrut.
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