Yvonne Gilbert

 

Member profile details

Membership level
Professional Member
First name
Yvonne
Last name
Gilbert
Photo/Logo
 

Personal information

Primary Job title
Sound Designer
 

Contact data

City
London
Country
United Kingdom
 

Additional information

Public Directory
  • Sound Designer (With over 25 Professional Credits)
Biog
Yvonne Gilbert is a sound designer working across theatre, opera, ballet, musical theatre and live performance. Her credits include All the Rage — Theatre Deli; The Holy Rosenberg’s — The Chocolate Factory; Singin’ in the Rain — Royal Exchange Manchester; Three Little Pigs — Unicorn Theatre; The Code — Southwark Playhouse; Dick Whittington — Hackney Empire; That Bastard Puccini — Park Theatre; The Princess and the Pea — Polka Theatre; The King of Pangea — The King’s Head; Midnight Cowboy — Southwark Playhouse; Dracula: A Comedy of Terror — Menier Chocolate Factory; Scissorhands — Southwark Playhouse; Run Rebel — Theatre Peckham, Colchester and Pilot Theatre tour; The Baker’s Wife — Chocolate Factory; Tidy and Hairy — Polka Theatre; Blue — English National Opera; Mother Goose — Hackney Empire; Little Manfred — Polka Theatre; Whistle Down the Wind and Great Expectations — Watermill Theatre; The Handmaid’s Tale — English National Opera; Creature and Giselle — English National Ballet; Drawn Lines — Sadler’s Wells; An Act of God — The Vaults; Swallows and Amazons, Driving Miss Daisy and Murder, Margaret and Me — York Theatre Royal; Hamlet, The Tempest, Henry V and Twelfth Night — Shakespeare’s Rose Theatre; Mary’s Babies and The Last Ones — Jermyn Street Theatre; The Glass Menagerie — Watford Palace Theatre; Baskerville — Abney Park; Coming Clean — Trafalgar Studios; Hansel and Gretel — Rose Theatre Kingston; Parents Evening — Jermyn Street Theatre; Shirley Mander — The Playground; Moonfleet — Salisbury Playhouse; Hymn to Love — Theatre by the Lake; Oranges and Elephants — Horton Hall; I Loved Lucy — Arts Theatre; Urinetown — The Pleasance; Guess How Much I Love You — Greenwich Theatre and international tour; The Nativity — St James’s Church, Paddington; Romeo and Juliet — Clwyd, Rose Playhouse and NYTW; Much Ado About Nothing — Rose Playhouse; Brideshead Revisited — York Theatre Royal; Sound Associate on Macbeth — Shakespeare’s Globe; Sound Associate on Only the Brave — Wales Millennium Centre; Sound Associate on Long Day’s Journey into Night — Bristol Old Vic; Honk! — GSA; Jacques Brel Is Alive and Well and Living in Paris — Mountview; Ghost — Ivy Arts Centre; Man of La Mancha — Bridewell Theatre; Singer/Touched — Bernie Grant Arts Centre; The Eighth Wonder of the World — Brunel Museum; American Idiot and Legally Blonde — Bridewell Theatre; On the Town, Lift, The Addams Family Musical, Rent and 13 The Musical — Ivy Arts Centre and Apollo Theatre; Twelfth Night — Regent’s Park Open Air Theatre; Twang! — GSA; The Voysey Inheritance, The King James Bible, Connections 2005 and 2006, Statement of Regret and More Light — National Theatre; Breed and Auricular — Theatre503; The American Clock — Jacksons Lane; Hotel Follies — Arts Theatre; Smith — British Museum; Rewrite — Westminster Hall; 4 Play — White Whine Productions; and soundscape design for Frankenstein: The Metal Opera.
Areas you work in:
  • Theatre
  • Sound Effects Production
  • Live Music
  • Installed Sound
Special services offered:
I work in Opera, Ballet, Musical Theatre, Plays and all types of live sound design.

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