An introduction to smaart - in person
with ASD member Phil Wright
At National Theatre of Scotland
11am - 2pm
Following on from our online smaart training with Rational Acoustics, this session will be a practical introduction to using smaart to measure systems and perform alignment.
ASD member Phil Wright will demonstrate how to use smaart practically and then the session will be open for you to ask questions and try your hand at using smaart to shape and align a system.
After training at the Guildhall School of Music & Drama, Phil spent the early part of his career working at Sound By Design Ltd, during which time he handled the prestigious Royal Albert Hall in-house sound contract. From 2000-2012 Phil also managed the Sound By Design team handling the BBC Proms live sound requirements.
In 2012 Phil went freelance and “Phil Wright Sound Limited” was founded. In this new role Phil has continued to work with artistes, producers and companies of repute to produce award winning productions around the globe.
In addition to live concert work Phil undertakes a significant amount of both pre and post-production in his studio in Surrey, UK. Works undertaken include mixing live show recordings of Verdi “Requiem” for the Royal Opera House (CD) & Monty Python’s “He’s not the Messiah!” (DVD, Cinema), and Katherine Jenkin’s performance for the feature film “Dreamhorse” (Cinema). Phil also works with various artists providing carry-in recording and broadcast setups for radio & TV.
Phil is also heavily involved in the preparation of many of the shows he works on, including building the show playback files for concerts including Ministry of Sound “Classical” and film with live orchestra projects like “Joker in concert” for Senbla Live Events. Liaising with both Warner Bros studios and the original composing / arranging team Phil has built the audio files and the cue file for the conductor to enable this project to be performed in sync with a live orchestra. Like many of his projects, this continuity from the preparation to the live performance of the works brings a unique knowledge of the live show.
Keen to keep at the cutting edge of audio technology, Phil has been working with a number of high end immersive and live streaming companies since 2020 to help artists, promoters and venues develop next generation content both in terms of live events and studio projects. This has culminated in the development of a Dolby Atmos mix studio with Immersive Specialists Sonosphere at Metropolis Studios, London which delivered the TPI Shortlisted "Live Production of the Year" - 5G Festival which has also now been shortlisted for the AV Awards 2022.
Phil works closely with a number of manufacturers, distributors and sound rental companies of repute collaborating on product development and design. Phil also spends time teaching the next generation of audio engineers on the Theatre Technology course at Guildhall School of Music and Drama, The Academy of Contemporary Music, and through the Association of Sound Designers & Audio Engineering Society. Phil has an Audio CV hosted by SoundCloud which is found at https://soundcloud.com/phil-wright-7
Please note, the ASD reserves the right to make changes to the programme without prior notice. Such alterations may occasionally be necessary due to circumstances beyond our control.
All events will be filmed and photographed - your presence confirms your permission for the ASD to use any images or recordings of you in our publicity materials and seminar archive.
The ASD does not accept responsibility for anyone acting as a result of information or views expressed on its training courses including course material. Opinions expressed are those of individual trainers and not necessarily those of the ASD. Participants should take professional advice when dealing with specific situations.