Join Zoe Milton as she discusses her tips for hiding radio mics on performers for spoken performance on stage.
Zoe will delve into the various ways to successfully keep a mic on a performer for the length of the show, looking at tape methods, positioning and ways of colouring of the cable.
We'll also look into where to place the transmitter and how all these decisions effect your overall sound quality.
There will be practical demonstrations of mic placement throughout the seminar.
The seminar will be held in the Governors Room in the National Theatre Studios. This space is on the Cut and is not part of the main NT building.
Here is a link to the Google maps page for the venue:
Please note, the ASD reserves the right to make changes to the programme without prior notice. Such alterations may occasionally be necessary due to circumstances beyond our control.
All events will be filmed and photographed - your presence confirms your permission for the ASD to use any images or recordings of you in our publicity materials and seminar archive.
The ASD does not accept responsibility for anyone acting as a result of information or views expressed on its training courses including course material. Opinions expressed are those of individual trainers and not necessarily those of the ASD. Participants should take professional advice when dealing with specific situations.
Tom Espiner is an actor, puppeteer, Foley artist and theatre practitioner.
Tom co-founded Sound&Fury and has worked as a puppeteer for Blind Summit and as as a puppeteer and Foley artist for Complicite. Previous productions include the ENO’s Madam Butterfly and the London Olympics 2012.
Tom has arranged a fun filled afternoon of exploration and experimentation within the wonderful art of Foley sound creation.
Join him as he shows us how to start creating our own sounds.
This seminar aims to introduce the participants to the tricks employed by Foley artists. It hopes to help them to develop their listening skills so that they can begin to understand the layers of sounds used to create the soundscapes we take for granted in some of our favourite moments in film, theatre and TV.
Participants will get the opportunity to be hands on and so are encouraged to bring in an item to make sounds with. Such as different kinds of fabrics (from silk, leather, to cotton fabrics of different sizes) or things that creak and squeak (metal hinges, bolts, rusty/unoiled bits of moving metal - not too big)
Maybe some fruit and veg or different sized receptacles - glasses, cutlery, teacups.
Choose an object that you'd like to investigate further.
There is the possibility that the afternoon may get a little messy, so remember this when choosing your attire.
The seminar will be held in the Governors Room at the NT studios. The Studios are not part of the main building of the National theatre, but are on the Cut.
Here is a link to the Google maps page.
(c) Association of Sound Designers 2017
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