Biog
Pete is a Sound Designer and Composer for Theatre, Film and live performance, trained at the Royal Central School of Speech and Drama.
Theatre work includes:
As sound designer, Let the Right One In, Death of a Salesman, There is a Light that Never Goes Out, Queens of the coal Age, and Twelfth Night at the Royal Exchange; The Cherry Orchard for Toneelgroep; The Unreturning for Frantic Assembly; Pity and The Kid Stays in the Picture at the Royal Court; The Last Testament of Lillian Bilocca for UK City of Culture, Hull; The Seagull at the Lyric Hammersmith; Deciphering and Frogman for Curious Directive; The Tempest at the Donmar; Beware of Pity for Complicité at Schaubühne;
Schism for Aegis Productions; Am I Dead Yet? for Unlimited at the Bush; The Commission for the Royal Opera House; and Farragut North at Southwark Playhouse.
As Co-Sound Designer, The Encounter (Tony, Drama Desk, Helpmann and Evening Standard awards, alongside Gareth Fry) for Complicité; Death of England: Delroy, Death of England for the National Theatre; and The Noise for Northern Stage and Unlimited.
As Associate Sound Designer, Harry Potter and the Cursed Child (original creative team) for Sonia Friedman Productions, 1984 for Headlong; Oresteia in the West End; Hamlet for the RSC; and Lionboy, The Magic Flute and The Master and Margarita for Complicité.