Biog
Carolyn enjoys working closely with directors, performers and other creative collaborators, from rehearsal room to theatre space, to create cohesive and fully integrated designs. Over the years Carolyn has built strong and successful relationships with freelance directors and companies alike, including RSC, Royal Court, Gate Theatre and Frantic Assembly. Carolyn's credits include: Double Feature (RNT), Beautiful Burnout (Frantic Assembly/NTS), Amerika, Krieg der Bilder (Staatstheater Mainz, Germany), The Gods Weep, The Winter’s Tale, Pericles, Days of Significance (Royal Shakespeare Company), After Dido (ENO at Young Vic), Dimetos, Absurdia (Donmar Warehouse), All My Sons (Schoenfeld Theatre, New York), Tre Kroner - Gustav III (Royal Dramatic Theatre, Sweden), Angels in America: Millennium Approaches & Perestroika (Headlong Theatre), 3rd Ring Out (Metis Arts), Gambling (Soho Theatre), Lulu, The Kreutzer Sonata, Vanya, State Of Emergency, The Internationalist (Gate Theatre), Ghosts, Dirty Butterfly (Young Vic), Belongings (Hampstead), After Miss Julie, Othello (Salisbury Playhouse), Moonlight & Magnolias (Tricycle Theatre), Andersen’s English, Flight Path (Out Of Joint), Topdog/Underdog (Sheffield Crucible Studio), Our Private Life, Oxford Street, Alaska (Royal Court, Jerwood Theatre Upstairs), A Whistle In The Dark, Moonshed (Royal Exchange Theatre), Is That All There Is, Hysteria (Inspector Sands), Arsenic and Old Lace (Derby Playhouse), The Water Engine (Theatre 503, in association with The Young Vic), Blood Wedding (Almeida), Gone To Earth (Shared Experience), No Way Out (Huis Clos), Stallerhof (Southwark Playhouse), The Watery Part of the World (Sound And Fury).